Stories

Stories

  • Rotgirl

    Originally written in November of 2023 for a local publication

    Wake up feeling off-center. Some bone near your solar plexus is in a different spot than when you went to sleep. Skin shifted a bit to the left, it hangs off you strangely when you look in the mirror. The thing sits directly across from your bed, couldn’t find a better spot in your tiny bedroom, in your tiny apartment, in your tiny life.

     It’s cheap, the mirror. You’ve suspected there’s a bend in it that makes your midsection protrude. Reminds you of your mother toward the end of her life. It’s the first thing you see when you wake up and the last thing you see before you go to sleep.

    Keeps you on your toes, the mirror. Makes sure that you catalog every minute change and canyon and crease that you hadn’t noticed before. It’s a good thing, keeps you from walking out of the house without fitting your body back into place. 

    Trudge out of bed, feel the sheets cling to you with sweat and mucus. Feel your left knee shift in its socket when your leg hits the cold floor. It clicks in time with your steps as you approach the mirror. Look at yourself. Crease the skin between your eyebrows, pinch at it with your fingers, tug to make sure it won’t come loose. Pull at the side of your mouth, make sure your teeth haven’t turned to salt in your sleep. As you go to check your face, feel one of the muscles in your thigh slip from its place and slide down and down until it fills the hollow space of your ankle. Push at the place it used to be, skin caving in on itself like a deflated balloon. Nothing you can do about it right now, you’ll be late for work. 

    Finish setting your bones in shape and rush to get ready. Put on an ill-fitting shirt, all your shirts are ill-fitting. One cuff fraying at the edge, you’ll never look like that again. Pull your eyelids back and press a nail into your lower eye socket, scrape out the blood that accumulated there overnight. Feel lighter as you walk out the door.

    At work everyone’s skin is tight and untextured. Their faces glow with youth, pulled into smiles, rosy hues of life. Your coworker whispers something to you during your break about your boss. About his fat, rounded fingers and the way his jowls hang down like a dog. You laugh with her, laugh at how he can bear to leave the house, bear to face any of us, much less bark orders every day. 

    Sit down at your desk, feel the fleshy leather of your chair stick to the back of your thighs where your skirt rides up. Look down and see your empty thigh pooling out on the seat. Tug your skirt down as far as it can go, what made you think you could wear something like this? Try to shape your thigh back into a liveable form, but you’re getting stares. The department manager is peering over the top of the cubicle, the girls in accounting are dripping at the mouth, leaning over to each other with sharpened eyes. 

    Leave it be for now, no one’s seen, no one knows. Don’t give them the chance. You work until the knuckle joints on your fingers shift like abacus beads as you hit away at your keyboard, until your carefully placed cosmetics start to rot and melt from the day. Clock strikes twelve and it’s only lunchtime but you’re already feeling the costume slip.

    The lights in the break room are harsh fluorescents, hunting every shadow in the room into extinction like unlucky mice. In here everyone is ugly, huddled over their tupperwares of plasticy meats, scarfing it down as quickly as possible, shielding their mouths of gnashing teeth behind polite hands. 

    Open your lunch, forget what the gray, limp vegetables were supposed to be. Push a spoon past your lips, take bits of flesh with you. Swallow it down. Scrape through the leftovers and find a tooth laying among the rice. It’s a molar, slightly bloodied at the root. Look around the room, find it empty. Take your fingers into your mouth, feeling along each individual tooth until you find the hole where the molar should be. It must have fallen out last night, made its escape from you.

    Quickly shove the tooth into your pocket just as the break room door opens. See a younger coworker walk in, see the way her hair doesn’t break at the ends. See the way her teeth, revealed by her broad smile, glow with whiteness. She probably didn’t forget any of her teeth this morning, probably didn’t even have to check.  

    “You’re sure enjoying your break!” She says, and you have no idea what she means. How could anyone enjoy themselves in this room? Even her, with her symmetric features, has her face cast in strange angles by the harshness of the lights. 

    Tell your coworker that you’re just finishing up. Stand from your chair and make your way out, feel a hand on your shoulder stop you just as you reach the door.

    “Honey, you’re slipping a bit,” She says, smile still plastered on her face, “I thought you’d want to know.”

    Look down in horror to where she’s gesturing, see the skin on your leg splitting at the seam, the misplaced muscle spilling out onto the linoleum. Feel your cheeks flush in mortification. 

    Rush out of the room and throw yourself into the first stall in the bathroom. Reach down and try to force the hole closed, but the slippery tissue evades your grasp and leaks down onto the floor, fluid pooling in your shoes. Latch into the muscle with your brittle nails, feel its membrane touch the underside of your cuticles. 

    Why today? Why now? You’ve been so good, you’ve done everything right. 

    Freeze as the door to the bathroom opens and the sound of heels click across the ground. You hold your breath as the shoes stop in front of the mirror, hover, hesitate, shift their weight from one foot to the other. Pray they don’t peek through the wide gap in the stall door where you’re still holding your leg together. Finally, the shoes leave, their departure echoing through the now empty room.

    Breath out. Resolve yourself. Take a stapler out from your bag. Line it up with the slit in your leg. Puncture five staples into your skin, pinch the folds together as you go, fingers slipping with blood. Catch your thumb on the fourth staple down, metal crushing through your nail bed and attaching it to the skin of your thigh. Bang your head against the stall wall in frustration, sticky tears spilling out of the corner of your eyes. Wrench your thumb free and continue your task. 

    Limp out of the bathroom, hold your head high to distract from it, sit back at your desk. No one looks at you, you’ve managed to not arouse any suspicion. 

    The smiley coworker from the break room comes up to your cubicle. She looks even better out here, cheeks rosy and manicured nails resting on her tiny waist. She’s giving you a sympathetic smile, like you’re a child who’s not especially bright. Makes your skin crawl, makes bile rise in your throat. 

    She pats your shoulder as she passes, like you need her pity, like she understands you. At the last moment you see her eyes shift to the other side of the room, a glint of humor in her expression. Turn and see the department manager staring straight at your leg, at your still bleeding thumb poised over your keyboard, lips curled in a smirk. The smiley woman walks up to him and playfully bats him on the arm, leaning down to whisper something in his ear. Both of their eyes are on you now, voices and laughter hidden behind their hands. 

    Hear murmuring from across the office and turn to see that everyone is looking in your direction. All whispering, some pointing, snickering, jeering at where the staples on your leg are sliding out of place as your skin sloughs off the bone. 

    Startle up from your desk, listen as the laughs grow louder. Try to flee. Feel the cold air touching the inside of your leg as you run. Halfway to the door your flaying skin snags on the open edge of a filing cabinet. Your loose sheet of flesh tangles, ties itself into knots as you desperately try to pull it free. Your coworkers gather around you as you struggle, as you pull and tear. 

    Terror taking over, you scramble up from the ground, leg still trapped, and try running for the door again.  Something gives and the tension breaks, and for a moment you think you’ve wrested yourself free. Speed up. Keep pulling and pulling and pulling.

    Stop.

    Hear the laughter crescendo all around you as you look down at your hands. See the red, wet ligaments enclosing your finger bones, feel rivulets of blood run down your now exposed spine. Look behind you and see your skin crumpled in a heap like a pile of forgotten laundry.

    “How embarrassing,” One of the watching harpies jeers, “How can she bear to leave the house like that?”

    You leave some fatty tissue behind as you flee, it hangs caught on a doorknob. Your coworkers cackle and pick it to shreds behind you, the wet sounds of their gnashing fangs as they bite into your discarded skin chasing you all the way out of the building. 

    You return home lighter, but not lighter like before. You’d run back over harsh asphalt, sanding down a layer of the muscles on your feet, scraping at your skeleton. There’s simply less of you now.

    Lay down in bed again. Feel your blood stick to the sheets, think it’s better than the alternative. Pull up the covers and wait for it all to grow back

    Wake up.

    • Khrushchevka

      Originally written in December of 2023 for a disappointing creative writing classs

      I’ve been having this recurring dream of people being flung into the sky. It starts in a stadium, I don’t know what for, maybe a soccer game. I’m seated under an overhang, the seats must’ve been cheaper. Very quickly something is wrong in the crowd, that terrible feeling of collective unease. Shifting waves in the bleachers, a speck floating above the floodlights on the other side of the field. A woman, or a man, or a child screams out a few rows ahead of me. They’re jerked upward, like an invisible hand is picking them up, hurtling them hundreds of feet into the air. 

      People in the crowd start getting grabbed one by one, seemingly at random. For a brief moment, I see through their eyes, the ground moving further and further away, the feeling of their stomach dropping out of their body and their limbs contorting under the sheer force of the thing that’s pulling them upward. When my vision is returned to me I know, with pure certainty, that if I step out from under the overhang I’ll fall upwards too. I wake up the next morning feeling like something terrible will happen that day, once I leave the house, leave the overhang. 

      “You sound like a burgeoning agoraphobe,”  Oksana says after I tell her all of this over dinner. 

      “Agoraphobe? Do you think so? It’s not like I’m scared of leaving the house. I mean, I’m here aren’t I? In this place, which is not my house.” 

      She just hums over the rim of her wine glass. I didn’t know she drank wine. Of course, the last time I had actually seen her we were both twenty-somethings with more cheap vodka in our bodies than sense. Maybe when you grow up you start drinking wine. 

      “Let’s say you do fall into the sky. Maybe after we’ve finished eating and we’ve said our little pleasantries, you step outside and you fall up. Then what?” Oksana says. 

      I blink. Suddenly I’m in college again. I’m tearing at my skin while she’s sprawled out on my dorm bed asking me the same kinds of pointed questions. 

      “Well, that’s the worst part, isn’t it?” I say, “Once they’re up there, the people always fall back down. Get fucking jettisoned back to earth. My brain decided to spare me no details of what a person looks like after being dropped fifty stories.”

      Oksana looks bored, or maybe a little disappointed. “So it’s the dying that scares you?”

      I turn away from her, finding the beige wall next to us more palatable than her gaze. I let my eyes glance around the room. Her apartment has changed too, not just her drinking habits. Although she’s still got that industrial sink in the corner of the kitchen, some hold over from Soviet-era design. I had bent over that sink one night as she ran bleach-coated fingers through my hair, an impulsive desire that left my roots damaged for years. The wall across from us is decorated with picture frames. I’m up there somewhere. A little younger. A little less messy around the eyes. 

      “I feel like fearing death is kinda boring,” I finally answer, “Not much to say about it.”

      She laughs at that and I feel like I’ve won some sort of prize.

      “Maybe it’s the loss of control then,” She taps one long manicured nail on the table. Dark red polish, that hasn’t changed.

      I keep staring at the picture wall, straining my eyes to again make out those photographs. I used to wonder, back when we first met, if she would still like me in 10 years. I never actually expected to find out. 

      “Control issues seem more your speed,” I say, and I think it’s her momentary good humor that allows the break in the usual script to go unnoticed. 

      The clock on the kitchen wall ticks away the seconds before her reply. Thirty, thirty five, forty. 

      She looks good. Which is maybe the worst part of all of it. I think that when people look at me, even people I’m meeting for the first time, they see that I’m not all that I once was. Like I’m missing a few puzzle pieces here and there. Oksana looks somehow even more like herself.

      Just as she opens her mouth to speak I say, “Why did you call me?”

      Another laugh at that. She’s smiling at me sweetly, but also like I’m a child that’s not especially bright.

      “Masha,” She says, resting her face in her hand, “I missed you. I missed knowing you.”  

      And God.  She’s sincere. The smile playing at the corner of her lips isn’t twinged with her normal countenance of benign ridicule. She’s looking at me like how she used to, and it’s unbearable. 

      “You…” I search for the trick in her eyes, the joke, “You didn’t even like me.”

      “Then why did you say yes when I asked you over for dinner?”

      Because I’m an idiot. Because I dream of dying every night and sometimes in the dream you’re there and that’s the worst part. Because some part of me is still in that shitty dorm room wondering if the blood under your skin is as warm as mine. 

      “You can’t do this to me,” I say and get up from the table, wondering when she’ll stop me.

      I’m at the door grabbing my coat when I realize that she’s not going to. I turn and Oksana is still sitting at the table, food long gone cold, sipping down the last bit of her wine. She says nothing as I leave.

      The steps down from her apartment sit under an overhang, early autumn snow starting to fall just outside. I look out into the inky black of the night sky, a great swirling mass above me playing tricks on my eyes.

      I step out from the overhang and fall into the sky.

      • Hoarder

        An unfinished story about my grandma

        The front room, a deserted wasteland of valuables.

        “It didn’t used to be like this,” He says it every time we drive this way, “It didn’t used to be this bad.”

        He’s talking about different things. The roads here didn’t used to have the same gaping cracks in the asphalt, the weeds didn’t use to outgrow the houses they surround. Not when he was a kid. Back then the whole place was touched with a certain light. Who’s to say if that’s really true or just the insidious bias of childhood.

        Either way, it’s hard to imagine the neighborhood as it is now ever being something as picturesque as my dad would have you believe. The sidewalks stretch out empty, taken over by city-wide neglect and age stains. The houses stand untouched from their original mid-60s construction, their inhabitants similarly aged. 

        As the car swerves around the potholes my dad points out all the places that didn’t used to be there, gray lots that used to be fields, the Kroger where he worked in high school, his recently renamed elementary. All of them washed with a monotone filter, an oily film settled on its suburban vistas. 

        Neither of my parents really left home. Even now it only takes us fifteen minutes to reach my dad’s childhood house. The suffocating nothingness of Dallas a constant in both of their lives.

        Eventually we reach my grandma’s place, a dirt brown building with an arching porch half taken over by junk. Little motion-activated lights dot the path up to the front door, the pavement ancient and unyielding. 

        Before we go in, my dad always lets out a little breath as he looks at the place, still sitting in the car, hands not having left the steering wheel. He heaves his way out of the driver’s side like a war-weary New York cop, bracing himself for a long battle against dust mites, faulty fire alarms, and his mother. 

        The front door is open, like it usually is, a glass screen separating us from the smiling woman waiting for us inside. The smile isn’t fake exactly, more so perfunctory. This person is working, customer service stress lines dot the corners of her eyes. 

        This woman is not my grandmother, nor is she someone I truly know. 

        A few years ago, my grandma started falling so much that my dad put a camera inside her house. It didn’t actually stop the falling but it did mean we could watch a 24 hour live feed of my grandma watching TV like the world’s most abstract found-footage horror film. Eventually she fell so bad that she shattered some bone in her neck. Now, she has to indefinitely wear a neck brace in a way resembling a high Elizabethan collar, funneling her neck like a dog after surgery. It was then that my grandmother ceased to be an independent adult. For the past two years at least she’s had a regularly changing rotation of live-in “helpers” at her house, getting her groceries, joining us for awkward Thanksgiving dinners. Dad always calls them helpers, although I’m not fully sure what that means. They aren’t anything as certified as nurses, and more often than not their job seems to be to sit on my grandma’s lumpy couch and listen to her complain. 

        I resented these women at first, though I’m a little ashamed to admit it. I resented their hovering, semi-silent presence. Of course, these women wanted to be there even less than I did, and more than one quit due to my grandma’s eccentricities.  

        I’d met the one at the door before. I think her name is Mary, although I’ve never truly been sure of anyone’s name in my life. Names eluded me, like faces. She’s one of the helpers I tolerate more than others, mainly because of her commitment to not being too friendly to any of us. 

        One of the first helpers, who quit last Christmas, infuriated me to an absurd degree. She had the audacity to try to make small talk with me at any opportunity, ask me about any of the (often inaccurate) things my grandma had told her about me (“I hear you’re majoring in geology?”)

        This helper had even come to my high school graduation, went out of her way to give me a Mickey Mouse themed card with a crumpled ten dollar bill inside. I had looked at it with such a deep sense of melancholy that I decided that she was the most evil person in the world. I wonder what happened to her sometimes, though not very often. She was too nice for my family. 

        When we step inside the familiar smell of the house seeps out of the off-white walls. Cat food and dust. Like a particularly stuffy antique store with no windows. And a cat, I guess. The cat in question darts out from under a cabinet, she’s a white stray named Angel with a thirst for blood. It always seemed to me less so that Angel was my grandmother’s pet, but instead a reclusive, bitey roommate.  

        Grandma is sitting in the living room, a wood-paneled monstrosity that hasn’t seen much change since the late 70s. She’s laid out in her big armchair, short gray bob of hair framing her scowling face. I scowl back at her for a moment before her face breaks out in a knowing smirk and she forcefully beckons me over for a stilted hug.

        Sometimes I think I’m the only one who actually gets my grandma. Perhaps because she’s a grim vision of what I’m going to be like at her age. My mom says she’s too surly for her own good, but if I was in her position, incapable of solitude, watched and followed every second of the day, I think I’d be pretty bitchy too. 

        When I go to hug her, the neck brace digs into the side of my head and she smells like the acidic perfume that finds its way into the vanities of all women over the age of sixty. 

        Mary is standing in the corner, a bottle of windex in her hand. My dad has already stormed his way through the kitchen and out into the labyrinthine garage to change her AC filter, the secondary reason for our visit. My brother, newly sixteen and making it everyone else’s problem, has found his way to the couch and is asking after the remote. 

        Standing in the living room you wouldn’t know that my grandmother is a hoarder. In here the furniture is spread out, enough floor space for a rug. The junk lining the built-in bookshelf could be reasonably attributed to the tackiness of the elderly. The habit becomes more apparent the farther into the house you go. Cardboard boxes line the already narrow hallway, making you have to turn and shimmy sideways in places. In the kitchen, the walls have no empty spaces, colonized by the parasitic, ceramic wall-pockets that cover the room from floor to ceiling. They’re all empty despite their intended design, existing for existence’s sake. 

        My grandma is a hoarder, but not the kind you see on TV. She doesn’t have heaps of trash bags and the bones of dead cats piled in her bedroom. She’s a collector, but beyond the scope of normal interest. In the kitchen it’s the wall pockets, in her old office it’s a battalion of Betty Boop figurines, in the apple room, well, it’s apples.

        Mostly it’s junk. Not because the items are inherently worthless, but because she has so much that they all pile on top of each other, in boxes or precariously stacked like glass animals in any available space. There’s so much that she can’t possibly care about any of the things individually, the whole of her house a giant, breathing monument to things she couldn’t bear to throw away, and now can’t be bothered to look at. 

        “It didn’t use to be this bad,” Dad’s talking about the house now, or maybe about his mom. He looks in disgust at the space that used to be his childhood bedroom. Now covered in a flood of sickly red apple themed items. The only exception being a weathered looking cot with a neatly folded blanket on it. This is where the helpers who are doing overnight duty sleep, its utilitarian discomfort a sharp contrast to the overwhelming decor of the rest of the room. 

        Back in the living room I’m talking with Mary. She’s a solid foot shorter than me, and probably not much younger than my grandma is herself. She’s talking under her breath while my brother attempts to entertain the old gargoyle sitting in the armchair. 

        “You know, I can’t stand mess. At home I have to have everything perfectly organized,” She says to me, a look in her eyes like she’s silently pleading with me to save her from this hell. 

        I think about the perfectly folded blanket in the apple room, and I try to give her a look that says I commiserate with her plight, and that she’s truly God’s bravest soldier, but I’m not sure it goes through. Faces elude me, like names. 

        The worst room in the house is the front room. It used to house a large dining table where my dad would eat his dinners, feeding scraps of food to a cat named Sushi. I don’t know where that table is, maybe it’s under all that junk somewhere. As it stands, the front room is nearly untraversable. From either end, even the most agile grandkid, which I am not, could only make it in a few feet. 

        The piles of stuff have no clear organization. Christmas decorations sit on top of Italian glassware, piles and piles of Delft teacups stack themselves next to cereal mascot plushies. At the back of the room there’s a stuffed duckling leaning against a framed playboy magazine. 

        “I think we need to talk about the very real possibility that your mother is a lesbian,” I say solemnly to my father as we stare up at the enlarged photo of a Dallas Cowboys’ cheerleader circa 1996.

        “That was my dad’s,” He says back pointedly.

        “Not much better,” I reply as I hike one of my legs over a stack of cardboard boxes that are blocking the already meager passageway. My foot lands on something that makes a loud, metallic clanking sound and I decide to not look down to preserve my piece of mind.

        My brother has made his entry on the other side of the room, and is holding a rabid looking stuffed animal between two fingers like it might bite him. 

        We’ve been tasked with “shopping” in the front room, pillaging the mountains of kicknacks for whatever garbage we want to take with us.

        There’s a small paper box with the words “JESUS FISH” embossed in gold lettering that catches my eye. I lean over a pile of cloth dolls with ghostly eyes to pick it up. 

        “Jesus fish,” I say to my dad, who is currently struggling to reach a porcelain christmas tree sitting on top of a china cabinet. 

        “Jesus fish?” He inquires as he accidentally trips over a basket of plastic easter eggs.

        “Jesus fish.”

        Worm Days are Over

        An unfinished story about a corpse and a worm

        The tree root digging into my thigh is starting to rot. I can feel the bark disintegrating into the sallow flesh there. It’s itchy, I guess. I can’t really remember what itchy feels like. Like little ants are marching along through my blood vessels? That seems accurate. Itchy is ants. 

        The sun is beating down with renewed contempt today, it’s waning interest as it set last night suddenly forgotten as it rises through the sky. There’s a breeze, which is new. The leaves on the tree I’m laying under are rustling and bumping up against each other, their sound outdoing the cicadas that have nearly finished un-burrowing themselves from the sandy ground. 

        The bird is back today, apparently not appreciative of the breeze in the way I am, wasting no time in resuming its pecking at my exposed ribcage. 

        “What’s it taste like?” I say, pushing the sounds out around my swollen tongue. 

        The bird does not answer, nor does it even stutter in its movement. Its picked the last bit of flesh off rib three now, its feathers ruffling in approval before it takes off again. 

        “Dumb ass bird,” I mutter.

        I’d always said I wanted to be cremated. Hadn’t I always said that? Cremated and put away, have it just be done with. Now look at me, tree fertilizer and food for stupid birds who can’t even answer when you ask how you taste. 

        “Dumb ass fucking tree,” I say, louder this time, up into the branches of the spindly oak I’m melting into. The tree, like the bird, must be an idiot, because it does nothing more than rustle its stupid leaves and rot its stupid roots. 

        I look down at the rest of me, as much as my fused together neck will allow. My torso isn’t a pretty sight, the birds and stray cats made sure of that. Seeping out of one side of the cavity is a little family of maggots, much more polite bed warmers than the birds. They at least had the decency to stay a while after eating through my spleen. 

        “Dumb fucking worms,” I breathe out. I look back up towards the sun.

        “Dude, what the hell?” A worm says back. 

        Sun’s still up there, still being all sunny and-

        Wait, what the fuck?

        I look back down at myself and see a much larger maggot sitting where my rib cages bulges outward the most. 

        “Did you hear me say that?”

        The maggot sits still for a moment, if maggots can sit at all. Then, it says, from no observable mouth, “Yeah man. Gotta be honest, you’ve been saying some really hurtful stuff.”

        “Oh, I’m sorry,” I say to the maggot, “I guess I’m just kinda upset that you’re eating me.”

        The maggot dips its little head up and down like its nodding, “Understandable, understandable. I don’t think I’d like getting eaten either.” It slithers off my ribs and up my arm, landing where my head has been facing since the moment I died, “But I’d also be mad if I never got to eat. It’s a real moral conundrum. Have you read any Nietsczhe?”

        I never read much of anything when I was alive, I’ve always regretted that. I think.

        “Yeah,” I lied, “Like, all the time.” 

        The maggot nodded again, the movement wiggling its whole body, blood-bloated stomach sliding against the skin of my arm.

        “Real depressing guy, Nietcszhe,” It said, “Wouldn’t recommend it if you’re in a bad head space. There’s something to be said about an empty heaven, though. No expectations from the big guy up top. Just free riding and self determination.” 

        I think self determination is scary, why should it all be up to me? 

        “How’d you even read Nietzsche? Did you get a little worm sized book at the worm sized library?”

        “I am somewhat sensitive to comments about my height, if you don’t mind.”

        A little worm library with a little worm librarian in a little worm cardigan, shushing little worm students as they cram for their little worm finals. 

        I think the sun is starting to get to me.

        “Hey worm,” I say.

        “I’m a maggot, actually.”

        “What’s the difference?”

        The maggot wiggles a little closer to my face, “Worms are just worms. One day I’ll turn into a crane fly.”

        The maggot’s grubby little face is still staring, unmoving. I turn my gaze towards the sky. 

        “Maggot, what do I taste like?” 

        It doesn’t say anything for a moment, maybe looking at the sky with me.

        “You taste sour, but that’s just the rot. Enzymes and such. Your different parts have different tastes. The fatty tissue around your muscles is mealy, clumps together in the mouth like wet sand.  The muscles themselves are stringy and taste like barnyard straw, trampled by the livestock. Your blood is all tacky now, but when it was fresh it tasted like energy drinks left open on nightstands and rusty metal.”

        “What about my organs?”

        “Which one?”

        I try to think of which ones I still have. I think the liver went first. A grayish cat with a missing eye had run off with it a while ago. My stomach was currently a torn open grocery bag and my small intestine had slipped off somewhere into the dirt past where I could see. 

        “My appendix,” I decide.

        “Really?” The maggot says.

        “I want to know what that fucker has going on, it’s not like it did much for me when I was alive.” 

        The maggot goes quiet and I shift my gaze back to it. The creature has turned towards its brethren, all of them swarming and undulating as one.

        There’s a chunk missing from its torso I notice, peeking out from its underbelly. 

        “We’re matching,” I say, but the maggot does not respond. 

        After some wormy contemplation, it slithers further up my arm, landing on my shoulder past where I can see.

        “Your appendix,” it says directly into my ear, “Tastes old. Like dried out meat. It tastes like one million years of evolution, the composition of the dirt in a place you’ve never been but that is different from home. Tastes like ash left in the fireplace and the fire itself once you leave it unattended.”

        That seems like a lot of baggage for one lousy appendix. 

        “Is that a metaphor?” I ask, “I don’t think something can taste like evolution.”

        The worm retreats back into my line of sight, “Maybe to you. Human tongues can only taste the present of things. If you ate your appendix it would probably just taste like blood. Maggots are much more observant.”

        I try to imagine the taste of my appendix in my mouth. My tastebuds retract and shift as I feel the ghost of wet flesh pressing against my tongue. Imagine the feeling seeping into my teeth as I clamp down into the organ, feel it pop like a balloon and the rush of warmth that would fill my mouth. In this moment I envy the maggots. Surely no one would make a better meal than I. No one’s skin would have the same give, the same pleasant chew to it. Everyone else’s meat would be gamey, improperly cut and served. Budget take-out. The maggots and flies and the fucking cats should be thanking me really, for dying as perfectly as I had. 

        “Excuse me, Ms. Corpse?” The sound of the maggot’s voice pulls me from my fantasizing.

        “Am I a Ms even in death?”

        The creature is back on my ribs now, polished clean and bleachy white. 

        “Not if you don’t want to be,” It says.

        I think about that as I watch the colony of maggots slowly migrating out of my body. They swarm and move as one, a little tidal wave of yellows and reds. 

        “You going somewhere?” I ask, suddenly feeling the coldness of a dead body coursing through me, poking all the way at my toes and the ends of my fingers. My stomach feels empty now without the worms, a phantom hunger cramp echoing in the hole they were still flowing out of. 

        The maggot bobbed its head up and down, “Sun’s setting. Wouldn’t want to be caught out here when the coyotes come sniffing around.”

        Right. The fucking coyotes. Surely the most inconsiderate of my recent lovers. Skittish and hungry, able to take more meat with them than the rodents and bugs. 

        “Are you coming back?” I say, a twinge of desperation leaking into my voice.

        The maggot has dropped itself into the dirt beside my corpse, “Oh, I’m sure,” It says, “Y’know, I’ve been reading some great stuff about dealing with death, I’ll bring it in the morning for you to read. Anne Lamott will change your whole outlook, really enlightening stuff.” 

        “Whatever, worm,” I say, “Do what you want. You’re probably a hallucination anyway.”

        “Maybe you’re the hallucination. Can you prove that you’re real.”

        “Fuck you.” 

        The maggot shakes its head in disapproval before slithering off to follow its brethren. 

        At night everything seems to slow. The vestigial instinct to pass the time with sleep prickling at the back of my prefrontal cortex, confused and upset that we’re not currently unconscious. It puts up a fight, kicks up dust between my neurons, tries to punish me with extreme boredom. It stretches out the minutes into hours, the hours into years. 

        It’s not as if there’s a slow of activity in the micro ecosystem of my cadaver. With the retreat of the maggots and other midday bugs comes the less handsome scavengers, more cowardly and secretive. 

        With all this time to think I find myself wondering why they’ve avoided my face. 

        Is it so unappealing? Wanting for excess flesh perhaps, at least in comparison to the rest of me. But they have picked the flesh off my brittle phalanges, have attacked my ankles with seemingly endless vigor. Is there something unappetizing about a face? Is the meat not the same? Maybe they appraise the different cuts of meat as humans do. I suppose we rarely eat the face outside of certain delicacies. I think maybe when we eat the thighs or stomach or bones we only eat part of the animal. But the face is the stand in for the whole. When you eat the face you eat the person.  

        Little bastards. Like I’m unworthy of being eaten.